From Honiton lace to Orange Blossom, Royal designer wedding dresses through the years have actually encompassed tradition, whilst still embracing fashions that are changing.
With the help of The Royal Collection Trust, have a look at our gallery to see a few of the dresses used by Royal Brides over time.
To find out more about each gown, click the menu in the hand that is left, or you’re for a mobile, make use of the fall down menu.
Queen Victoria, who shares with Queen Mary I, the distinction to be a Queen regnant whom married after her accession, dressed only for her wedding to Prince Albert on 10 April 1840, in the Chapel Royal, St James’s Palace.
Her gown had been of white satin with a deep flounce of honiton lace. Pinned into the neckline that is off-the-shoulder a brooch that Prince Albert had offered her as a marriage present: a sizable sapphire enclosed by diamonds. Her earrings and necklace had been additionally made from diamonds. On her behalf mind, as opposed to the anticipated coronet of diadem she wore only a wreath of orange blossom and a lace veil.
Honiton lace is an element in wide range of Royal designer wedding dresses; it really is a kind of bobbin lace made in Honiton, Devon.
Princess Victoria, The Princess Royal
The oldest child of Queen Victoria married Prince Frederick of Prussia, later on Frederick III, German Emperor and King of Prussia on 25 January 1858 during the Chapel Royal, St James’s Palace.
Princess Victoria’s gown ended up being made from white Moire Antique, a material having a wavy (watered) look, which was embellished with three flounces of Honiton lace. A flounce is a ruffle that is wide onto a dress or sleeve. The lace had been embellished with flowers, shamrocks and thistles – the emblems of England, Ireland and Scotland.
The dress of this gown had been adorned with wreaths of orange and myrtle blossom, the latter being the bridal flower of Germany (the home nation of her fiance), embellished the gown. A big bouquet associated with the same flowers ended up being positioned on the centre for the bodice.
Princess Alice’s wedding to Prince Louis of Hesse were held within the living area of Osborne home on 1 July 1862. The marriage were held simply seven months because the loss of Prince Albert in addition to Royal Family had been nevertheless in deep mourning. On 21 April 1862, Queen Victoria wrote inside her log “Oh! My heart sinks whenever I consider needing to proceed through it all alone! “.
The Royal that is muted occasion mirrored when you look at the gown, that has been noted to be a ‘half-high gown by having a deep flounce of Honiton lace, a veil of the identical and a wreath of orange blossom and myrtle. It had been a easy design and perhaps maybe not adorned having a court train’.
For Princess Helena’s wedding to Prince Christian of Schlewsig-Holstein at Windsor Castle on 5 July 1866, the white satin dress showcased similar touches to her mom’s and sis’s dresses.
Honiton lace had been found in the flounces and veil, and roses that are featured ivy and myrtle. Myrtle has had an association that is long weddings as with the language of plants it symbolises love. Helena’s headpiece had been consists of orange blossom and myrtle.
Queen Victoria had written inside her log that “Lenchen’s Helena’s, bridal dress ended up being of white satin, trimmed with one superb flounce of Honiton lace, initially selected for me personally, by dearest Albert & aerosols of orange flowers & myrtles, & an extremely train that is long trimmed with the exact same lace & plants”.
Princess Alexandra of Denmark
Princess Alexandra married Prince Albert, The Prince of Wales at St George’s Chapel, Windsor Castle in the 10 March 1863, the few would later become Queen Alexandra and King Edward VII – with this specific is with in head, the marriage dress ended up being made for a future Queen.
The white silk dress had been garlanded with orange blossom and trimmed with Honiton lace in a patriotic pattern of flowers, shamrocks and thistles. Being a wedding present, Prince Albert provided Alexandra a looped pearl and diamond necklace and earrings with pendant falls.
The sixth child of Queen Victoria, married the Marquis of Lorne (heir of to the Dukedom of Argyll) at St George’s Chapel, Windsor Castle on 21 March 1871 Princess Louise.
Louise’s white silk wedding gown ended up being embellished with nationwide and royal symbols, with deep flounces of flower-strewn Honiton lace, and a short wedding veil of Honiton lace herself and was held in place by two diamond daisy hair pins presented by her siblings, Princes Arthur, Prince Leopold and Princess Beatrice that she designed.
Princess Louise Margaret of Prussia
At Princess Louise Margaret’s wedding to Prince Arthur, Duke of Connaught on 13 March 1879, her dress reflected her European ancestry. Even though it had been manufactured from the most common white satin and embellished with old-fashioned myrtle leaves, it had been built in Silesia. The lace for the train (that was four metres very long) and veil ended up being from point d’Alencon lace (in the place of Honiton), even though the typical orange blossom and myrtle had been nevertheless represented.
Aim d’Alencon is needle lace that originated from Alencon, France within the century that is 16th.
Princess Helena of Waldeck and Pyrmont
Princess Helena married the youngest son of Queen Victoria, Prince Leopold on 27 April 1882 at St George’s Chapel, Windsor Castle. Helena’s gown ended up being sewn in Paris, and had been manufactured from white satin, embellished with conventional blossom that is orange myrtle and trimmed with fleur-de-lis. The gown was once more topped with point d’Alencon lace. The long tulle veil was held in position with a diamond headdress and a wreath of orange flowers and myrtle.
The tradition of orange blossom had been founded after the wedding of Queen Victoria to Prince Albert. Between 1839 and 1846 Prince Albert delivered Queen Victoria with a quantity of pieces from a orange that is beautiful parure (matching pair of jewelry) to mark significant moments within their lives – read more right right here.
Princess Beatrice, the child that is youngest of Queen Victoria, hitched Prince Henry of Battenberg at St Mildred’s Church at Whippingham near Osborne, on 23 July 1885.
Beatrice’s white satin gown and lace overskirt had been trimmed with orange blossom and heather that is white. Beatrice had been a fan of lace – one her most possessions that are treasured a tunic of point d’Alencon lace which had belonged to Catherine of Aragon. Queen Victoria allowed Beatrice to put on the Honiton lace and veil her daughters that had the opportunity to wear it that she wore for her own wedding – the only one.
Princess Mary of Teck
For Princess Mary of Teck (later on Queen Mary), bride for the future King George V in July 1893, the selection had been an easy, elegant white and dress that is silver. Her train, woven in silver and white brocade, ended up being embroidered with flowers, thistles and shamrocks, and her little lace veil fastened having a diamond flower of York.
The gown ended up being created by Arthur Silver, of this Silver Studio, who was simply recognized for his Art Nouveau designs and ended up being affected by Japanese art. Mary continued the orange blossom tradition, with tiny wreaths being added to the bust associated with the gown as well as in her locks. The dress additionally showcased Honiton lace, which was in fact employed by Mary’s mom, The Duchess of Teck’s very own wedding.
Lady Elizabeth Bowes-Lyon
White flowers of York showed up on either region of the orange-blossom wreath keeping in position the veil of Flanders lace donned by Lady Elizabeth Bowes-Lyon on her wedding towards the Duke of York (later on King George VI) in 1923.
Her medieval-looking, waistless gown ended up being of ivory silk crepe, with strips of silver lame embroidered with seed pearls as well as 2 trains, one fastened in the sides, one other floating through the arms.
The rose of York, hand-embroidered in over 10,000 pearls and crystals, was a feature that is prominent of The Queen’s (then Princess Elizabeth) bridal dress in November 1947. The dress had been created by Sir Norman Hartnell, whom cited Boticelli’s Painting Primavera, which symbolises the coming of springtime, as their motivation for the look.
The distributing skirt of ivory Duchesse satin, below a fitted bodice with heart-shaped neckline and long tight sleeves, ended up being embroidered with garlands of roses in raised pearls entwined with ears of wheat in crystals and pearls. Around the hem that is full edge of orange blossom had been appliqued with clear tulle outlined in seed pearls and crystal.
From the white tulle veil rested a pearl and diamond tiara. The fan-shaped train, 14 legs very long, in clear ivory silk tulle, ended in a deep border of embroidered flowers and wheat motifs.